On this day a year ago
From the newspapers
Even just driving past sheep or, even more so, gambolling lambs, makes me feel somehow happier.
Woollyhead Trussbanger wants yet more money, it seems. Put him in a labour camp, fed on half a pound of buckwheat kasha a day.
About a fifth of the bags required by most households, even small ones.
“Climate change” has become, like “Covid” and, pre-1945, “the War”, an excuse for local bureaucrats, and others (eg doctors, dentists) not to do their jobs properly.
Kennedy, the first Roman Catholic to become US President, the only one to have made a sane and balanced judgment about Hitler, the only one not to have been a freemason; and so on.
Naturally, I have little time for the self-describing “Left”, such as Ken Loach, but of course he is correct in what he says about Starmer. Having said that, Loach and his like still, even now, talk about the element that got rid of Corbyn as “the Right“, “the Establishment“, “the mass media“,and even “the ruling class“, while not once talking about the Jews, or Zionists, or even the baleful influence of the Israeli state, as seen so clearly in the Shai Masot case, except insofar as he mentions that many Jews who were pro-Corbyn have actually been expelled by Starmer.
In a sense, I can be seen as objective, in that I have and had little time for Corbyn, as such.
There it is— White Genocide. Admittedly, not in the sense of non-whites directly killing white European people in large numbers (except in South Africa), but in a far more cunning way, or ways. Promotion of cannabis abuse, promotion of LGBTQXYZ, promotion of extreme feminism (most of the writers favouring which are— wait for it— Jewish women), promotion of mass immigration and migration-invasion into Europe. 90% or more of all of that is led by, and/or funded by, Jews and/or Jewish interests.
So many people want everything to be black and white; black or white.
“Blame and praise alike befall, when a dauntless man’s spirit is black and white mixed, like the magpie’s plumage” [Wolfram von Eschenbach, Parzival]
What it says to me (also) is that there is a baleful influence promoting that kind of non-art (not necessarily that particular “artist”), or what was once called “Addled Art“— https://www.amazon.co.uk/Addled-Art-Lionel-Lindsay/dp/B0007J3B7S; http://melbourneblogger.blogspot.com/2009/06/lindsay-etching-l-hyde-park-1913-r.html; https://en.wikipedia.org/wiki/Lionel_Lindsay.
Who funded and promoted (and then made millions via) the “artists” Tracey Emin [https://en.wikipedia.org/wiki/Tracey_Emin] and Damien Hirst [https://en.wikipedia.org/wiki/Damien_Hirst] etc? Mainly wealthy Jews, such as Charles Saatchi: see https://en.wikipedia.org/wiki/Charles_Saatchi and https://en.wikipedia.org/wiki/Carl_Freedman.
“Saatchi is also known for his art collection and for owning Saatchi Gallery, and in particular for his sponsorship of the Young British Artists (YBAs), including Damien Hirst and Tracey Emin. In 2013 he received a police caution for assaulting his wife, Nigella Lawson.” [Wikipedia]
“Saatchi arrived at Gambler in a green Bentley and, according to Freedman, was immediately impressed by (and then bought) Hirst’s first major “animal” installation, A Thousand Years, consisting of a large glass case containing maggots and flies feeding off a rotting cow’s head. (The installation was later a notable feature of the Sensation exhibition.) At this early stage, Freedman was financing the production of Hirst’s vitrines, and has commented that not many people attended these early shows, including Freeze.
In 1994, Freedman toured the US with Tracey Emin, driving in a Cadillac from San Francisco to New York.” [Wikipedia].
“Freedman said one of the [Tracey Emin] show’s themes was:the artist as a subject, and (to) explore the relationship between the art on the wall and its creator, to make the whole thing more humanistic. And in there somewhere there is the beginnings of a thesis on the relationship and similarities between madness and modernism, for example, defiance of authority, nihilism, examples of extreme relativism, strange transformations of the self, irrationality, and things like that.” [Wikipedia]
A 1930s German National Socialist would recognize very readily the all-too-typical themes of decay, decadence, perversion of the natural order etc.
Incidentally, “Emin was born in Croydon, a district of south London, to an English mother of Romanichal descent and a Turkish Cypriot father.” [Wikipedia]. She is non-European, despite Wikipedia weaselling about her mother, who was apparently not English but a “Romanichal” (gypsy).
Tracey Emin is now herself “worth” millions; Damien Hirst, hundreds of millions.
Compare that to the many great and genuine artists who lived and died penniless.
Hard to believe that any festivals or similar events are still booking “Jack Monroe”, yet here is the second I have seen recently, the other being the Greenbelt Festival (blogged about recently). https://www.cambridgeliteraryfestival.com/about/.
I can only assume that both of those bookings were made many months in advance, and so prior to the “Jack Monroe” scandal coming (more) to public attention from August/September 2022.
The sooner Gates departs this world, whether naturally, accidentally, voluntarily, or not voluntarily, the better.
Pseudo-“Conservative” greaseball Fraser Nelson speaks in favour of money-ruled globalization. Again.
Ecce the “leader” of the “free world”…
Just another puppet on a stick. (((Their))) stick…
The SNP is a joke “national” party, System through and through. “Holocaust”, “Covid”, and other nonsense propaganda parrotted at every opportunity, non-whites as leading figures (and now Leader itself), and a would-be tyranny in the making.
Scotland, despite its global cultural reach, is a small nation, most of the people of which oppose fake “Independence”.
I should hope —and I certainly think— that the SNP reached its high-water mark a few years ago, and will now gradually decline, but that will not happen until the voters are given a suitable alternative.